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THE NEW PIRATES OF THE CARIBBEANThe makers of ‘Pirates of the Caribbean’, confirmed plans to extend the successful Disney saga. Margot Robbie will star in a new installment of ‘Pirates of the Caribbean’ (‘Pirates of the Caribbean’) that will follow the adventures of a female character with a totally different plot from the original film. Jerry Bruckheimer, producer of the project, revealed in an interview to The Sunday Time newspaper that two scripts are being worked on for the ‘Pirates of the Caribbean’ sequel, one of them will star the actress, Margot Robbie.About Johnny Depp’s return to ‘Pirates of the Caribbean’, Jerry Bruckheimer was clear in saying, “Not at this time.” However, the producer has left the door open to reach a new agreement with the actor. “The future has not yet been decided,” he added.
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This question, among others, was developed in the third installment of the Steve Rogers saga. The character played by Chris Evans had already excelled in the genre with The Winter Soldier – which remains one of the best films of the UCM – but the plot of Civil War confirmed that his was the ultimate superhero.
In Civil War, it is the first time that Falcon (Anthony Mackie) uses Redwing. Although in the film he is a security drone, in the comics Redwing is an actual Falcon with whom Sam Wilson has a telepathic link. He first appeared in the comic book Captain America #117, released in 1969.
There is a key scene in Tony Stark’s story that we can see in Captain America: Civil War. In it, a rejuvenated Tony – played by Robert Downey Jr. and digitally retouched – talks to his parents, Howard (John Slattery) and Maria Stark (Hope Davis). At one point, Maria asks her son to say goodbye to his father, but he does not. Not having said goodbye to him deeply torments Tony, as he tells Obadiah Stane (Jeff Bridges).
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Neither do the two first-person voices that narrate the story acquire a convincing relief; I am thinking above all of Claudio’s, made of thick underlines that do not work either as parody or as psychologism. At the narrative climax, Nettel takes the drama in hand very seriously, and the reader recognizes and appreciates that; but unfortunately, getting into the proposal proved impossible much earlier. There is something too flat in Después del invierno, something too accommodating and stiff, irrelevant. I don’t know what this novel appeals to.
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2 Mostly novels, a few short stories and the occasional theatrical work make up the recent production, but there has also been an important edition of “life stories”, while some films -between documentary and fiction- return to the theme of mass immigration or contemplate the realities of the most recent immigration from neighboring countries.
6The contradictions and differences between liberal ideals and the definition of the mythical nation in gestation, the fear, sometimes not so much of the immigrant as of the dissolution of national identity in the face of the influx of immigrants, the real introduction of a political conscience that destabilizes the order, the role of immigrants during the first strikes are some of the constitutive elements of this thesis literature4.
7The third (1930-1982): several children of immigrants have ventured into the world of literature, but the subject of immigration is not a priority and the concerns are other5. The demographic change is consummated: immigrants and their families make up the majority of the Argentine population, as characters, as actors, and as such, they appear in literature, but not because of their condition as foreigners or children of foreigners.
